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Andrew Ridgeley on George Michael and Life After Wham! - The New York Times

“The only thing I ever wanted to do from the age of 14 was to be in a band,” but he is content with the duo’s short career, which is chronicled in a new documentary.

If you weren’t a teenager in 1984, it might be hard to understand this, but here goes: There are Gen X-ers who remember where they were the first time they saw the video for the Wham! clap-along pop anthem “Wake Me Up Before You Go-Go.” Knitted Muffler

Andrew Ridgeley on George Michael and Life After Wham! - The New York Times

In it, George Michael and Andrew Ridgeley, the heartthrob frontmen of Wham!, wear big smiles and beachy short shorts as they perform their infectious bop — titled after a note Ridgeley had once left on his family’s refrigerator, according to his memoir — for a small crowd of adoring fans. There were fingerless gloves, neon face paint, white “Choose Life” T-shirts that had nothing to do with abortion: It was a new-wave dance party for cool kids who thought Mötley Crüe sucked.

Ridgeley, who turned 60 in January, remembers making it as great fun.

“It was our first video with an audience,” he said during a recent video interview from his home in London. “The atmosphere was really quite excitable and exciting.”

Ridgeley and his bandmate are the subject of “Wham!,” a new documentary that premieres on Wednesday on Netflix. Directed by Chris Smith, it charts the British group’s climb to pop stardom, beginning with its ferocious appearance on the music show “Top of the Pops” in 1982, through the global success that followed the albums “Fantastic” (1983) and “Make It Big” (1984), and finishing with the 1986 farewell concert in London.

The film, which is itself directed like a power-pop video, explains how the duo’s modern mix of disco, funk, pop and soul, in songs like “Young Guns (Go for It),” “Careless Whisper” and “Freedom,” helped make Wham! one of the biggest pop groups of the late 20th century, even though it lasted just four years. Unlike bands that split over artistic or personal disagreements, Wham! didn’t have a rise and fall. “It was just a rise and they called it a day,” Smith said.

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Andrew Ridgeley on George Michael and Life After Wham! - The New York Times

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